In his series of video-composites, „the others are we“, Florian Tuercke merges short video clips of portraits he has recorded in differnet cities. For the exhibition in con[SPACE], he has compiled the composite face of Frankfurt.
Interview with the German artist Florian Tuercke during the exhibition “the others are we” at con[SPACE] video gallery, Atelierfrankfurt, Frankfurt/Main, Germany. For the exhibition, the artist produced a composite video portrait of faces from Frankfurt and other European cities. Exhibition curated by Michaela Filla Raquin and Raul Gschrey, interview conducted and produced by Raul Gschrey. Additional material by Florian Tuercke, Nicholas Singleton & Raul Gschrey. Historical photographic material by Francis Galton, Special Collections, University College London. www. conspace.wordpress.com : www.gschrey.org : www.floriantuercke.net
Florian Tuercke : Die Anderen sind wir / the others are we con[SPACE] @ Atelierfrankfurt, Schwedlerstrasse 1-5, 60314 Frankfurt am Main, curated by Michaela Filla Raquin & Raul Gschrey
Opening: 26. 02.2016 19.00, duration: 26.02. – 04.04.2016, opening times: Tue., Wed., Thurs. 16.00 – 19.00
In his series of composite videos entitled „the others are we“, Florian Tuercke, whose participatory media art projects are usually situated in public space, deals with the human face. The artist explores, which collective features remain, when the individual visual characteristics of people are merged; the sole link being the place where they reside temporarily or permanently.
After compiling videos in Ragusa (Italien), Wakefield (England) and Schweinfurt (Germany), Florian Tuercke produces a video portrait of the ‘typical Frankfurter’ in collaboration with the gallery con[SPACE] in Frankfurt (Germany). With a posing chair, camera and lights he strolls through the urban space and asks passers-by to sit for a portrait. Every participant sits on the chair, looking straight into the camera, while the artist remains standing, equally motionless, behind the camera. Through the transparent superimposition of the individual takes, the urban backgrounds are condensed into abstract structures of colour, light and movement; the slightly fluctuating facial superimpositions dominating the centre of the composite video.